Liam Payne’s death sparks urgent call for reform in music industry

UK boy band, One DIrection. Picture: X

UK boy band, One DIrection. Picture: X

Published Oct 21, 2024

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The tragic death of former One Direction star Liam Payne has reignited discussions about the pressures faced by young musicians.

Following the revelation of his struggles, prominent figures in the music industry are calling for reforms to protect under-18 artists from the harsh realities of pop stardom.

As Payne’s father, Geoff, arrived in Buenos Aires to arrange for the repatriation of his son’s body, fans were grappling with the shocking news of the 31-year-old’s fall from a hotel balcony.

Many have echoed the sentiments of his ex-partner, Cheryl Tweedy, who condemned the sensationalist coverage surrounding his death.

Guy Chambers, a leading UK songwriter and friend of Robbie Williams, has highlighted the need for the music industry to rethink its treatment of young talent.

He told “The Guardian”: “Putting a 16-year-old in an adult world like that is potentially really damaging,” he stated.

This push for change is backed by alarming statistics indicating that 25% of young musicians experience anxiety or depression, highlighting the significant mental health crisis affecting the music industry.

Help Musicians UK, a leading charity in the field, has been actively addressing mental health issues by providing resources and support tailored specifically for musicians.

Statistics indicate that 25% of young musicians experience anxiety or depression. Picture: X

Payne's journey, as we know, began when he auditioned for “The X Factor” at just 14, before joining One Direction at 16. Since then, many young stars have echoed similar sentiments of struggling with mental stability in the face of sudden fame.

Louis Theroux, the executive producer of the upcoming BBC series “Boybands Forever”, pointed out the risks of achieving dreams only to find them unfulfilling.

His series will explore the highs and lows of boyband fame, highlighting the emotional toll it can take on artists.

Chambers, who has four children, expressed concern about the lack of protections in place for young artists.

“In Robbie’s case, with Take That, there wasn’t any proper protection set up to look after teenage boys. I don’t see much sign of change,” he noted. He advocates for a minimum age of 18 for boyband membership, stating, “The industry should stick to that.”

Mike Smith, a former music industry executive, echoed these sentiments. “The longer a young person can postpone a career in music, the better,” he said.

Smith emphasized the need for better mental health support within the industry, as he observed that young musicians often enter a high-pressure environment without a solid sense of self.

While the music industry has begun to implement changes, such as mental health support funds for songwriters, the pressure remains immense.

Many young artists feel compelled to maintain a façade of happiness while battling personal demons.

Smith recalled that the scrutiny surrounding young artists often exacerbates their struggles, noting, “People expect you to be living your best life, but then you find you can’t function.”

As the conversation surrounding Payne’s untimely death continues, the industry must prioritise the well-being of its youngest talents.